Red Tails - Reception

Reception

Red Tails received mixed to negative reviews from film critics, currently holding a 39% "rotten" rating on Rotten Tomatoes; the consensus states: "Despite a worthy fact-based story and obvious good intentions, Red Tails suffers from one-dimensional characters, corny dialogue, and heaps of clichés." On Metacritic, the film holds a 46/100 rating, indicating "mixed or average reviews". The main criticism was directed to the tone of the film; Stephen Holden in The New York Times review, noted, "In structure and tone, Red Tails proudly harks back to the 1940s and ’50s, when good guys were good, and bad guys bad." In rebuttal, co-writer Aaron McGruder commented on the film's tone: "Some people are going to like this tonal choice and some people are going to say, 'Oh it should've been heavier and it should've been more dramatic.' But there's a version of this that doesn't have to be Saving Private Ryan. We can be Star Wars, as crazy as it is." Roger Ebert of the Chicago Sun-Times gave the film two-and-a-half stars out of four, stating, "Red Tails (is) entertaining. Audiences are likely to enjoy it. The scenes of aerial combat are skillfully done and exciting." In a similar vein, aviation historian Budd Davison, in agreement with fellow historian Barrett Tillman, although cognizant of the "Hollywood treatment", had a caution to aviation enthusiasts looking for a faithful reenactment of the Tuskegee legend, "... buy some popcorn, lean back and enjoy, this is Hollywood telling a story, not making a documentary. Save your guffaws until afterward with your friends."

Ina Diane Archer, daughter of the late Lee Archer (Tuskegee airman and advisor for Red Tails) in writing for Film Comment, criticizes the film's disconnect between aerial scenes and the rest of the film, saying, "One longs for more scenes between the ensemble on the ground, but the emphasis on aerial (and digital) technology leaves the characters without context. There’s a particularly troubling absence of black women (but for a painting on Lightning’s plane) who go unmentioned—no gal back home? no sisters, no Mamas?—nor do we ever see the African Americans who followed the squadron’s adventures."

In the face of media criticism of the portrayals of the Tuskegee Airmen in Red Tails, a number of activists took to social media to protest against what was thought to be a racially-tinged effort to denigrate the contribution of the wartime fighting unit. Beginning with statements to support the film made by surviving Tuskegee Airmen who had seen the film in previews, and spurred by the comments made by Lucas in a candid interview on The Daily Show where the producer openly discussed the difficulties of trying to get Red Tails made over the past 23 years, a Facebook campaign was started. In the Oakland, California premiere, two sold-out screenings were a testament to the success of the campaign. Effie Tesfahun, one of the organizers, explained, “When said Hollywood does not want to touch black films, it really hit me … I thought we should get together and all go and support . Regardless of what Hollywood thinks, we all want to see positive messages of black people in the movies ... We need to speak, and speak loud, and speak with our dollars, because that’s where people pay attention, when you start talking with your money," Tesfahun said. "We are sending a message that this is what we want.” Lucas commented on the film's reception: "It had an affect on a lot of kids and adults. Now it's the one thing that everyone comes up to me and says 'thank you' for - I'm proud of that." "We didn’t get to a point when said, 'Oh let's just do black movies.' But every time you poke 'em, it makes an effect."

Adolph Reed, professor of political science at the University of Pennsylvania, said the film "trivializes segregation in the military by reducing it to a matter of bad or outmoded attitudes. The ironic effect is significant understatement of both the obstacles the Tuskegee airmen faced and their actual accomplishments by rendering them as backdrop for a blackface, slapped-together remake of Top Gun."