Style
Unlike subsequent official historical texts that adopted Confucian doctrine, proclaimed the divine rights of the emperors, and degraded any failed claimant to the throne, Sima Qian's more liberal and objective prose has been renowned and followed by poets and novelists. Most volumes of Liezhuan are vivid descriptions of events and persons. This has been attributed to the belief that the author critically used stories passed on from antiquity as part of his sources, balancing reliability and accuracy of the records. For instance, the material on Jing Ke's attempt at assassinating the first emperor of China was allegedly an eye-witness story passed on by the great-grandfather of his father's friend, who served as a low-ranking bureaucrat at court of Qin and happened to be attending the diplomatic ceremony for Jing Ke.
It has been observed that the diplomatic Sima Qian has a way of accentuating the positive in his treatment of rulers in the Basic Annals, but slipping negative information into other chapters, and so his work must be read as a whole to obtain full information. For example, the information that Liu Bang (later Emperor Gaozu of Han), in a desperate attempt to escape in a chase from Xiang Yu's men, pushed his children off his carriage to lighten it, was not given in the emperor's biography, but in the biography of Xiang Yu. He is also careful to balance the negative with the positive, for example, in the biography of Empress Dowager Lu which contains lurid accounts of her cruelty, he pointed out at the end that, whatever her personal life may have been, her rule brought peace and prosperity to the country.
Read more about this topic: Records Of The Grand Historian
Famous quotes containing the word style:
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“The old saying of Buffon’s that style is the man himself is as near the truth as we can get—but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.”
—Samuel Butler (1835–1902)