Photography Exhibits
Matlock has had more than 50 exhibits of her photographs, as well as a series of exhibits by photographer Donald Schomacker, a friend since fourth grade in Tennessee.
It's always the same. Whenever you go out without a camera, you know you'll see the perfect shot --Rebecca Matlock
| Date | City | Venue | Exhibit | Reference |
|---|---|---|---|---|
| 1983 | Washington, DC | American Foreign Service Club Library | Black and White in Color | |
| 1984 | New York | Columbia University | On Architecture | |
| 1984 | New York | Republican Women’s Club | On Architecture | |
| 1985 | Seattle, WA | University of Washington | Art in Czechoslovakia, including exhibition by Donald Schomacker | |
| 1988 | Moscow | Cinematographers Union | International Film Festival | |
| 1989 | Moscow | Photojournalists Union | ||
| January 1990 | Moscow | Writer’s Union | People | |
| 1990 | Vladivostok | |||
| 1990 | Tbilisi, Georgia | |||
| 1990 | Ulan Ude | |||
| March 8, 1999 | Princeton, NJ | Stevenson Hall, Princeton University | Rebecca Matlock Exhibit | |
| September, 1999 | Princeton, NJ | Woodrow Wilson School, Princeton University | Excursion to Georgia | |
| June 6, 2004 | Tbilisi, Georgia | Tbilisi Movie Actors' Theatre | Special Places of Rebecca | |
| March 18, 2005 | Greensboro, NC | Nussbaum Center for Entrepreneurship | The Time of Mikhail Gorbachev | |
| November 7–18, 2005 | Princeton, NJ | Chancellor Green café, Princeton University | The Time of Mikhail Gorbachev | |
| September 1, 2006 | New York, NY | Harriman Institute, International Affairs Building | Gorbachevs, Reagans and Bushes | |
| November 7, 2007 | Princeton, NJ | Rockefeller College Gallery, Princeton University | Repairs of the Inca Bridge over Peru's Apurimac River | |
| November, 2008 | Princeton, NJ | International Center, Princeton University | Black and White in Color |
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Famous quotes containing the words photography and/or exhibits:
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)
“Every woman who visited the Fair made it the center of her orbit. Here was a structure designed by a woman, decorated by women, managed by women, filled with the work of women. Thousands discovered women were not only doing something, but had been working seriously for many generations ... [ellipsis in source] Many of the exhibits were admirable, but if others failed to satisfy experts, what of it?”
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