Photography Exhibits
Matlock has had more than 50 exhibits of her photographs, as well as a series of exhibits by photographer Donald Schomacker, a friend since fourth grade in Tennessee.
It's always the same. Whenever you go out without a camera, you know you'll see the perfect shot --Rebecca Matlock
| Date | City | Venue | Exhibit | Reference |
|---|---|---|---|---|
| 1983 | Washington, DC | American Foreign Service Club Library | Black and White in Color | |
| 1984 | New York | Columbia University | On Architecture | |
| 1984 | New York | Republican Women’s Club | On Architecture | |
| 1985 | Seattle, WA | University of Washington | Art in Czechoslovakia, including exhibition by Donald Schomacker | |
| 1988 | Moscow | Cinematographers Union | International Film Festival | |
| 1989 | Moscow | Photojournalists Union | ||
| January 1990 | Moscow | Writer’s Union | People | |
| 1990 | Vladivostok | |||
| 1990 | Tbilisi, Georgia | |||
| 1990 | Ulan Ude | |||
| March 8, 1999 | Princeton, NJ | Stevenson Hall, Princeton University | Rebecca Matlock Exhibit | |
| September, 1999 | Princeton, NJ | Woodrow Wilson School, Princeton University | Excursion to Georgia | |
| June 6, 2004 | Tbilisi, Georgia | Tbilisi Movie Actors' Theatre | Special Places of Rebecca | |
| March 18, 2005 | Greensboro, NC | Nussbaum Center for Entrepreneurship | The Time of Mikhail Gorbachev | |
| November 7–18, 2005 | Princeton, NJ | Chancellor Green café, Princeton University | The Time of Mikhail Gorbachev | |
| September 1, 2006 | New York, NY | Harriman Institute, International Affairs Building | Gorbachevs, Reagans and Bushes | |
| November 7, 2007 | Princeton, NJ | Rockefeller College Gallery, Princeton University | Repairs of the Inca Bridge over Peru's Apurimac River | |
| November, 2008 | Princeton, NJ | International Center, Princeton University | Black and White in Color |
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Famous quotes containing the words photography and/or exhibits:
“If photography is allowed to stand in for art in some of its functions it will soon supplant or corrupt it completely thanks to the natural support it will find in the stupidity of the multitude. It must return to its real task, which is to be the servant of the sciences and the arts, but the very humble servant, like printing and shorthand which have neither created nor supplanted literature.”
—Charles Baudelaire (1821–1867)
“After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.”
—Henry David Thoreau (1817–1862)