Realism - Realism in The Arts

Realism in The Arts

Realism in theatre denotes any movement towards greater fidelity to real life, as in Kitchen sink realism, an English cultural movement in the 1950s and 1960s that concentrated on contemporary social realism, or Poetic realism, a film movement in France in the 1930s that used heightened aestheticism. In the visual arts the term denotes any approach that depicts what the eye can see, such as in American realism, a turn of the 20th century idea in arts, Classical Realism, an artistic movement in late 20th Century that valued beauty and artistic skill. Literary realism particularly denotes a 19th century literary movement. Neorealism is a movement emphasising realism in cinema and literature while the New Realism is an artistic movement founded in 1960 by Pierre Restany and Yves Klein. Romantic realism is an aesthetic art term popularized by writer/philosopher Ayn Rand. Aesthetic Realism is a philosophy founded by Eli Siegel.

Forms of political realism in the arts have included Nazi heroic realism or the art of the third Reich, a style of propaganda art associated with Nazi Germany, Social realism, an artistic movement which depicts working class activities, and Socialist realism, a style of propaganda art associated with Communism.

Photorealism is a genre of painting that resembles photography, Hyperrealism (painting) resembles high resolution photography while Pseudorealism, is a term coined by American film critics to describe films in which digital unreal images are created and amalgamated with regular scenes thereby creating an illusion that is difficult to distinguish from reality, or a genre of art initiated by Indian artist Devajyoti Ray where reality is approached via abstraction. Surrealism and Magic realism are artistic genres in which magical or impossible elements appear in an otherwise realistic setting.

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Famous quotes containing the words realism and/or arts:

    Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.
    Julia Marlowe (1866–1950)

    No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
    Gertrude Stein (1874–1946)