Raymond Chandler

Raymond Chandler

Raymond Thornton Chandler (July 23, 1888 – March 26, 1959) was an American novelist and screenwriter.

In 1932, at age forty-four, Raymond Chandler decided to become a detective fiction writer after losing his job as an oil company executive during the Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published just seven full novels during his lifetime (though an eighth in progress at his death was completed by Robert B. Parker). All but Playback have been realized into motion pictures, some several times. In the year before he died, he was elected president of the Mystery Writers of America. He died on March 26, 1959, in La Jolla, California.

Chandler had an immense stylistic influence on American popular literature, and is considered by many to be a founder, along with Dashiell Hammett, James M. Cain and other Black Mask writers, of the hard-boiled school of detective fiction. His protagonist, Philip Marlowe, along with Hammett's Sam Spade, is considered by some to be synonymous with "private detective," both having been played on screen by Humphrey Bogart, whom many considered to be the quintessential Marlowe.

Some of Chandler's novels are considered to be important literary works, and three are often considered to be masterpieces: Farewell, My Lovely (1940), The Little Sister (1949), and The Long Goodbye (1953). The Long Goodbye is praised within an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery".

Read more about Raymond Chandler:  Early Life, Life As A Writer, Later Life and Death, Chandler's Thoughts On Pulp Fiction, Critical Reception, Praise For Chandler's Work

Famous quotes by raymond chandler:

    Its idea of ‘production value’ is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.
    Raymond Chandler (1888–1959)

    Any man who can write a page of living prose adds something to our life, and the man who can, as I can, is surely the last to resent someone who can do it even better. An artist cannot deny art, nor would he want to. A lover cannot deny love.
    Raymond Chandler (1888–1959)

    However toplofty and idealistic a man may be, he can always rationalize his right to earn money.
    Raymond Chandler (1888–1959)

    Bruno Antony: Tell me, Judge, after you’ve sentenced a man to the chair, isn’t it difficult to go out and eat your dinner after that?
    Judge Dolan: When a murderer is caught he must be tried, when he is convicted he must be sentenced, when he is sentenced to death he must be executed.
    Bruno Antony: Quite impersonal, isn’t it?
    Judge Dolan: So it is. Besides, it doesn’t happen every day.
    Bruno Antony: So, few murderers are caught?
    Raymond Chandler (1888–1959)

    The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture.
    Raymond Chandler (1888–1959)