Film
| Rattle and Hum | |
|---|---|
| Directed by | Phil Joanou |
| Produced by | Michael Hamlyn |
| Starring | Bono The Edge Adam Clayton Larry Mullen Jr. |
| Music by | Bono Adam Clayton Larry Mullen, Jr. The Edge |
| Cinematography | Robert Brinkmann (Black-and-white footage) Jordan Cronenweth (Color footage) |
| Editing by | Phil Joanou |
| Studio | Midnight Films |
| Distributed by | Paramount Pictures |
| Release date(s) |
|
| Running time | 98 min |
| Country | United States |
| Language | English |
| Budget | $5,000,000 |
| Box office | US$8,600,823 |
| No. | Title | Writer(s) | Performer | Length | |
|---|---|---|---|---|---|
| 1. | "Helter Skelter" (Live) | Lennon–McCartney | U2 | ||
| 2. | "Van Diemen's Land" | The Edge | U2 | ||
| 3. | "Desire" (Demo) | U2 | U2 | ||
| 4. | "Exit"/"Gloria" (Live) | U2 ("Exit"), Van Morrison ("Gloria") | U2 | ||
| 5. | "I Still Haven't Found What I'm Looking For" (Rehearsal) | U2 | U2 with The New Voices of Freedom | ||
| 6. | "Freedom for My People" | Adam Gussow and Sterling Magee | Satan and Adam | ||
| 7. | "Silver and Gold" (Live) | Bono | U2 | ||
| 8. | "Angel of Harlem" (Demo) | U2 | U2 | ||
| 9. | "All Along the Watchtower" (Live) | Bob Dylan | U2 | ||
| 10. | "In God's Country" (Live) | U2 | U2 | ||
| 11. | "When Love Comes to Town" (Rehearsal, live, recital medley) | Bono | U2 with B. B. King | ||
| 12. | "Heartland" | U2 | U2 | ||
| 13. | "Bad"/"Ruby Tuesday"/"Sympathy for the Devil" (Live) | U2 ("Bad"), Jagger/Richards ("Ruby Tuesday", "Sympathy for the Devil") | U2 | ||
| 14. | "Where the Streets Have No Name" (Live) | U2 | U2 | ||
| 15. | "MLK" (Live) | U2 | U2 | ||
| 16. | "With or Without You" (Live) | U2 | U2 | ||
| 17. | "The Star Spangled Banner" (Excerpt) | John Stafford Smith | Jimi Hendrix | ||
| 18. | "Bullet the Blue Sky" (Live) | U2 | U2 | ||
| 19. | "Running to Stand Still" (Live) | Bono | U2 | ||
| 20. | "Sunday Bloody Sunday" (Live) | U2 | U2 | ||
| 21. | "Pride (In the Name of Love)" (Live) | U2 | U2 | ||
| 22. | "All I Want Is You" (Heard over end credits) | U2 | U2 |
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“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
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—Katharine Hepburn (b. 1909)