Reception
Since its release in 1996, Rainclouds over Wushan has slowly gained a reputation as a key film in the sixth generation movement of Chinese cinema. It was, for example, part of a retrospective by the Harvard Film Archive as part of its retrospective on the so-called "Urban Generation" in 2001. It was also screened at other retrospectives throughout the United States, including the UCLA Film Archive's 2000 "New Chinese Cinema: Tales of Urban Delight, Alienation and the Margins" retrospective.
Internationally, the film was screened at several film festivals, notably winning a Dragons and Tigers Award from the Vancouver International Film Festival in 1997, an honor it shared with the South Korean film, The Day a Pig Fell Into the Well. Additionally the film won a FIPRESCI prize at the Torino Film Festival, as well as the Best Feature Film award.
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)