Production
Originally Abe Levitow was to direct the film and Williams was only an animation supervisor. However, when Levitow became ill and eventually died, Williams reluctantly became director. He clashed with the producers over many aspects of the film, including the multitude of musical numbers and weak character development. Despite his misgivings the producers forbade him to cut a single scene. Eventually, like many of his other projects, the movie went over time and budget, and Williams was removed at the end so the film could be released on time. His name remained on the finished product. Besides Richard Williams, who by this time had already received a BAFTA award, an Emmy Award, and an Oscar for his work in animation, other talented animators also were enlisted. Hal Ambro and Art Babbitt from Disney, and Looney Tunes animator Gerry Chiniquy also worked on the film. The music was composed by Joe Raposo, the long time musical director of Sesame Street and The Electric Company.
Tissa David became one of the first women to animate a leading character in a major film when she designed and animated Raggedy Ann for the project. In a 1977 interview, David told the New York Times that she designed the Raggedy Ann character as "a plain Jane with a heart of candy — and she's all female."
Drawings from this film were used to test "videoCel", an early yet innovative CGI system developed by Computer Creations Corp.
Read more about this topic: Raggedy Ann & Andy: A Musical Adventure
Famous quotes containing the word production:
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)