History
It is clear that in the centuries leading up to Roman imperial times, the Raetians had at least come under Etruscan influence, as the Raetic inscriptions are written in what appears to be a northern variant of the Etruscan alphabet. The ancient Roman sources mention the Raetic people as being reputedly of Etruscan origin, so there may at least have been some ethnic Etruscans who had settled in the region by that time.
In his Natural History (1st century AD), Pliny wrote about Alpine peoples:
adjoining these (the Noricans) are the Raeti and Vindelici. All are divided into a number of states. The Raeti are believed to be people of Tuscan race driven out by the Gauls; their leader was named Raetus.
Pliny's comment on a leader named Raetus is typical of mythologized origins of ancient peoples, and not necessarily reliable. A more probable derivation is from Celtic rait ("mountain land"). The name of the Venetic goddess Reitia has commonly been discerned in the Raetic finds, but the two names do not seem to be linked. The spelling as Raet- is found in inscriptions, while Rhaet- was used in Roman manuscripts; whether this Rh represents an accurate transcription of an aspirated R in Raetic or is an error is uncertain.
Many inscriptions are known, but most of them are only short and fairly repetitive, probably mostly votive texts. Raetic became extinct by the 3rd century AD, with its speakers adopting Vulgar Latin in the south and Germanic in the north, and possibly Celtic prior to that.
Read more about this topic: Raetic Language
Famous quotes containing the word history:
“The history of reform is always identical; it is the comparison of the idea with the fact. Our modes of living are not agreeable to our imagination. We suspect they are unworthy. We arraign our daily employments.”
—Ralph Waldo Emerson (1803–1882)
“This above all makes history useful and desirable: it unfolds before our eyes a glorious record of exemplary actions.”
—Titus Livius (Livy)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)