R36 (New York City Subway Car)

The R36 (or R36 ML) was a class of New York City Subway cars built in 1964 by the St. Louis Car Company, St. Louis, Missouri for the IRT division (also known as the A Division). These cars are referred as R36 ML (or Main Line) to distinguish them from the R36 World's Fair cars which were built for service on the IRT Flushing Line (7 <7> trains).

The R36 ML was a 34-car follow-up order to the 500-car R33 model. Both R33 ML and R36 ML were similar with drop-sash side windows differentiating them from the large picture windows of the World's Fair cars. These cars ran for many years on the IRT main lines (Broadway – Seventh Avenue and Lexington Avenue). Prior to overhaul in 1984/5, they mainly ran on the 1 and 3 trains. Upon returning from overhaul the R36s ran on the 7 from 1984 to 1988, and transferred to the 6 from 1988 to 2001, and again retransferred back to the 7 when they began to be replaced by the R142A cars. Some also provided occasional service on the 4 and 7 trains.

By 1982 all cars in this series have received air conditioning as part of a retrofitting program.

In 1998, the New York City Transit Authority (NYCTA) announced that it would begin phasing out the Redbird cars — R26 / 28 / 29 / 33 / 36 with the R142 and R142A cars. From 2001 to 2003, Redbird cars were reefed, scrapped, sold, put into work service, or stored out service.

All but one pair of R36 MLs were scrapped. With the arrival of the R142As on the 6 train, the R36 MLs were transferred over to the 7 train. The last pair, numbers 9542-9543, ran on the 7 until August, 2003. They went to the New York Transit Museum in 2004.

Famous quotes containing the words york, city and/or subway:

    I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.
    Anna Quindlen (b. 1952)

    I hope there will be no effort to put up a shaft or any monument of that sort in memory of me or of the other women who have given themselves to our work. The best kind of a memorial would be a school where girls could be taught everything useful that would help them to earn an honorable livelihood; where they could learn to do anything they were capable of, just as boys can. I would like to have lived to see such a school as that in every great city of the United States.
    Susan B. Anthony (1820–1906)

    In New York—whose subway trains in particular have been “tattooed” with a brio and an energy to put our own rude practitioners to shame—not an inch of free space is spared except that of advertisements.... Even the most chronically dispossessed appear prepared to endorse the legitimacy of the “haves.”
    Gilbert Adair, British author, critic. “Cleaning and Cleansing,” Myths and Memories (1986)