Queensland Gallery of Modern Art

The Queensland Gallery of Modern Art (also known as GOMA) is part of the Queensland Cultural Centre at the South Bank area of South Brisbane. It holds most of Queensland Art Gallery's contemporary works, while also being the joint host to the current Asia-Pacific Triennial of Contemporary Art. The seventh APT is also being shown in the Queensland Art Gallery building, with displays across both sites making the exhibition twice the scale of previous Triennials.

On 2 December 2006, the Queensland Gallery of Modern Art (GoMA) opened. It is the Queensland Art Gallery's much-anticipated second building, and is the largest gallery of modern and contemporary art in Australia. Queensland's Gallery of Modern Art also houses Australia's first purpose built cinematheque. The gallery is situated on Kurilpa Point next to the Queensland Art Gallery and State Library of Queensland and faces the Brisbane River and the CBD, which is just across the river. The Gallery of Modern Art has a total floor area over 25,000 m² and the largest exhibition gallery is 1,100 m². The building was designed by Sydney architecture firm Architectus.

The gallery features art works from Australia, Asia, and countries within the Pacific region and includes the Australian Cinémathèque.

Read more about Queensland Gallery Of Modern Art:  Architecture, Past Exhibitions, Recent/Future Exhibitions

Famous quotes containing the words gallery, modern and/or art:

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
    Herman Melville (1819–1891)

    The complaint ... about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernes, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.
    —E.B. (Elwyn Brooks)

    Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.
    Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)