Queen Live Performances

Queen Live Performances

The English rock band Queen is well known for its prowess as a live musical act. A diverse catalogue of songs, massive sound systems, huge lighting rigs, an arsenal of pyrotechnics and many extravagant costumes helped turn shows into entertaining, theatrical events. As both lead vocalist and front man, Freddie Mercury was able to immerse himself in the audience's adulation and thrived on their excitement – an ability for which many artists, such as Bob Geldof, David Bowie, George Michael, Kurt Cobain (in his possible suicide note), and Robbie Williams have expressed great admiration.

Queen wrote a number of songs, "We Will Rock You" and "We Are the Champions", for example, with the specific goal of audience participation. Songs such as "Radio Ga Ga" came to inspire actions like synchronised hand-clapping (this particular hand-clapping routine, originating from the song's video, was actually the invention of the video's director, David Mallet). This contributed to Queen's memorable appearance at Live Aid, where the 75,000 strong crowd at Wembley Stadium sang at a loud volume and clapped their hands in unison to the song. Queen's performance at Live Aid was voted by a large selection of musicians and critics to be the greatest live show of all time.

Read more about Queen Live Performances:  1970s, 1980s, 1990s, Queen's Line-up (live)

Famous quotes containing the words queen, live and/or performances:

    “I have nothing against the Queen of England. Even in my heart I never resented her for not being Jackie Kennedy. She is, to my mind, a very gallant lady, victimized by whoever it is who designs the tops of her uniforms.”
    —Leonard Cohen (b. 1934)

    “As God is my witness, they’re not going to lick me. I’m going to live through this and when it’s all over, I’ll never be hungry again. No, nor any of my folks. If I have to lie, steal, cheat or kill, as God is my witness, I’ll never be hungry again!”
    —Sidney Howard (1891–1939)

    “This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
    —Dorothy Parker (1893–1967)