Development
Dr. Kloor started development of the Quantum Quest film project in 1996, a year before the launch of the Cassini–Huygens mission. In 2007, Digimax, Inc., one of Asia’s leading 3D animation studios, committed to financing the film and providing animation. Actual production on the film could not begin until the Cassini/Huygens (a $3.5 billion dollar) reached its target and sent back its discoveries. Final images and radar data, providing a partial radar map, were released by NASA in 2008, enabling the film to proceed. Quantum Quest is a precedent-setting film, combining state-of-the-art CGI with real images and radar data from the ongoing Cassini-Huygen, SOHO, Stereo mission to the Sun, Mars Odyssey, Mars Express, Venus Express, and Mercury Messenger space missions, representing billions of dollars of NASA investment.
Working on two continents, Taiwan based Digimax undertook the entire animation pre-production and production task in Taiwan with a team of international artists, while Dr. Kloor and his Jupiter 9 Productions assembled a stellar voice cast, produced all talent recordings and, in concert with the film’s composer Shawn Clement, put together the post sound and music package. The film will be distributed and marketed in Asia by Digimax, and by Jupiter 9 Productions in all other territories.
Read more about this topic: Quantum Quest: A Cassini Space Odyssey
Famous quotes containing the word development:
“Every new development for the last three centuries has brought men closer to a state of affairs in which absolutely nothing would be recognized in the whole world as possessing a claim to obedience except the authority of the State. The majority of people in Europe obey nothing else.”
—Simone Weil (1909–1943)
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)