Results
PUNTO DE VISTA FESTIVAL 2005. PRIZES:
(Pamplona, February 18–25)
- “Point-of-View” First Prize for the best film: Checkpoint, by Yoav Shamir (Israel).
- Prize for the Best Short Film: Good Times, by Alessandro Cassigoli and Dalia Castel (Italia-Israel).
- Prize for the Best Director: Peter Kerekes, for “66 Seasons” (Slovakia).
- Prize for the Best Screenplay: “Wetback: The Undocumented Documentary”, by Arturo Pérez Torres (Canada).
- Audience’s Special Prize: “Bandits”, by Zaza Rusadze (Georgia).
- Special mentions: “Platicando”/Chatting”, by Mª Luisa Lafuente (Spain), and “Dr Nagesh”, by Vicent Detours and Dominique Henry (Belgium).
PUNTO DE VISTA FESTIVAL 2006. PRIZES:
- PUNTO DE VISTA PRIZE for the best documentary, exaequo, to Sonia, by Nathalie Delaunoy and Melodías, by François Bovy.
- PRIZE FOR THE BEST DIRECTOR (3,500 €) to François Bovy for Melodías.
- BEST SHORT FILM (4,000 €) to Un pont sur la drina by Xavier Lukomski.
- SPECIAL MENTIONS (1,000 €):
La casa de mi abuela, by Adán Aliaga.
Phantom Limb, by Jay Rosenblatt.
Tierra negra, by Ricardo Íscar.
- AUDIENCE’S SPECIAL PRIZE (2,500 €): The Play, by Pelin Esmer.
Read more about this topic: Punto De Vista International Documentary Film Festival
Famous quotes containing the word results:
“Pain itself can be pleasurable accidentally in so far as it is accompanied by wonder, as in stage-plays; or in so far as it recalls a beloved object to one’s memory, and makes one feel one’s love for the thing, whose absence gives us pain. Consequently, since love is pleasant, both pain and whatever else results from love, in so far as they remind us of our love, are pleasant.”
—Thomas Aquinas (c. 1225–1274)
“Nothing is as difficult as to achieve results in this world if one is filled full of great tolerance and the milk of human kindness. The person who achieves must generally be a one-ideaed individual, concentrated entirely on that one idea, and ruthless in his aspect toward other men and other ideas.”
—Corinne Roosevelt Robinson (1861–1933)
“It is perhaps the principal admirableness of the Gothic schools of architecture, that they receive the results of the labour of inferior minds; and out of fragments full of imperfection ... raise up a stately and unaccusable whole.”
—John Ruskin (1819–1900)