Popularity
Musician and visual artist Pen Cayetano and the Turtle Shell Band introduced punta rock in 1978, at 5 Moho Street, Dangriga, Belize. His songs in the Garifuna language added electric guitar to the traditional punta rhythm. Cayetano's style caught on quickly in Belize and from there spread to Garifuna communities in Honduras and Guatemala.
Young progressive Garifuna men and women who looked to American style and did not carry on traditions experienced a resurgence of their culture. More artists began composing Garifuna songs to traditional Garifuna rhythms. His lyrics gave the political, social and economic issues of Belizean Garifuna people a global platform and inspired a new generation to apply their talents to their own ancestral forms and unique concerns.
Punta musicians in Central America, the US, and elsewhere made further advances with the introduction of the piano, woodwind, brass and string instruments. Punta-rock has grown since the early 1980s to include other electronic instruments such as the synthesizer and electric bass guitar as well as other percussive instruments.
Punta along with Reggaeton music are predominantly popular and influential among the entire population in Honduras. Often mixed with Spanish, Punta has a widespread audience due to the immigration of Hondurans to the United States, other parts of Latin America and Europe, notably Spain. Punta bands in Honduras such as Kazzabe, Shabakan, Silver Star, Los Rolands, Banda Blanca, Los Gatos Bravos and Grupo Zambat have appeal for Latin American migrant communities. Honduran Punta has caused Belizean and Guatemalan Punta to use more Spanish due to the commercial success achieved by bands that use it.
When Banda Blanca of Honduras sold over 3 million copies of "Sopa De Caracol" ("Conch Soup"), originally written by Belizean Chico Ramos, the Garifunas of Belize felt cheated but celebrated the success. The genre is continuing to develop a strong following in the United States and South America and the Caribbean.
Belizean punta is distinctive from traditional punta in that songs are usually in Kriol or Garifuna and rarely in Spanish or English. calypso and soca have had some effect on it. Like calypso and soca, Belizean punta provides social commentary and risqué humor, though the initial wave of punta acts eschewed the former. Calypso Rose, Lord Rhaburn and the Cross Culture Band assisted the acceptance of punta by Belizean Kriol people by singing calypso songs about punta - songs such as "Gumagrugu Watah" and "Punta Rock Eena Babylon".
Read more about this topic: Punta
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