Punch (cigar) - History

History

The Punch brand was first registered in 1840 by German named Stockmann and named for the European puppet show character, Mr. Punch (not the magazine, which was created a year later). The brand quickly became a success, especially in Great Britain. The first change of ownership came in 1874, when the brand was bought by a Luis Corujo, and again in 1884, when the brand was purchased by Manuel López Fernández and its bands and boxes still bear his name to this day. Retiring in 1924 and dying shortly after, López gave ownership of the brand to Esperanza Valle Comas, who only held it for a few years before the Stock Market Crash of 1929.

Like most other businesses around the world, the Cuban cigar industry faced financial hardships. In 1930, the firm of Fernández, Palicio y Cía bought up the brand, where it became one of the company's headlining cigar marques, along with Belinda, La Escepción, and Hoyo de Monterrey, and maintained its popularity with British cigar smokers.

After the embargo was set against Cuba by the United States, Fernando Palicio fled Cuba for Florida, where he subsequently sold his cigar lines to Frank Llaneza and Dan Blumenthal of Villazon & Co., which has continued to make Punch, Hoyo de Monterrey, and Belinda cigars from Honduran tobacco for the American market.

Cuba subsequently nationalized the tobacco industry and Punch continued production and is still a popular, multi-locally-marketed Cuban cigar line. Among connoisseurs, the eponymous Punch, Double Corona, Churchill, and Super Selection No. 2 are especially prized and sought after.

Punch also produces two machine-made cigarillos: the Cigarritos and Cigarritos Reserva.

Punch has not been chosen before for any Edición Limitada productions yet, but has proven extremely popular as a brand for the Edicion Regional series of cigars produced by Habanos for local markets.

Read more about this topic:  Punch (cigar)

Famous quotes containing the word history:

    “The history of mankind interests us only as it exhibits a steady gain of truth and right, in the incessant conflict which it records between the material and the moral nature.”
    —Ralph Waldo Emerson (1803–1882)

    “In nature, all is useful, all is beautiful. It is therefore beautiful, because it is alive, moving, reproductive; it is therefore useful, because it is symmetrical and fair. Beauty will not come at the call of a legislature, nor will it repeat in England or America its history in Greece. It will come, as always, unannounced, and spring up between the feet of brave and earnest men.”
    —Ralph Waldo Emerson (1803–1882)

    “A great proportion of the inhabitants of the Cape are always thus abroad about their teaming on some ocean highway or other, and the history of one of their ordinary trips would cast the Argonautic expedition into the shade.”
    —Henry David Thoreau (1817–1862)