Split
After making a second appearance on The Tube in January 1986, things went quiet for Propaganda. In late 1985, its management had introduced the band to the London-based music lawyer Brian Carr of Compton Carr, who had helped to win the case between Johnny Rotten (Sex Pistols) and his management. Carr explained to the group members that under their current contracts with ZTT, they could go on making records for the rest of their lives and never make any money from them. Based on this information the band asked ZTT to renegotiate the contracts, which the company declined. Soon afterwards Claudia Brücken left Propaganda to pursue a solo career, remaining signed to ZTT. After a protracted legal battle, which saw the remaining members of Propaganda under an injunction by ZTT for fourteen months, they were finally released from their contract to ZTT in a hurried out-of-court settlement in the summer of 1987. Claudia Brücken formed the duo Act with Thomas Leer in 1988, and in 1991 she released a solo album (Love: And a Million Other Things) for Island Records.
Read more about this topic: Propaganda (band)
Famous quotes containing the word split:
“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
—Eleanor Robson Belmont (1878–1979)
“Would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of bar- room vernacular, that is done with the eyes wide open and the mind relaxed but attentive.”
—Raymond Chandler (1888–1959)
“They’re semiotic phantoms, bits of deep cultural imagery that have split off and taken on a life of their own, like those Jules Verne airships that those old Kansas farmers were always seeing.... Semiotic ghosts. Fragments of the Mass Dream, whirling past in the wind of my passage.”
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