Music Video
The song's music video was directed by Little X and features cameo appearances by Keri Hilson, Bria Myles and Justin Timberlake. It does not follow a storyline and per Furtado's request, focuses on scenes with dancing and flirting because she wanted to recreate the song's indicative vibe, and took the opportunity to film a club video for the first time. Furtado said of the video, "It's that whole dance that goes on. There's that mystery there, the fun, playful sexiness, the verbal Ping-Pong game". Furtado and Timbaland cannot decide whether they want to begin dating or instead flirt with others on the dance floor. Their single performances are intercut with several scenes of a dancing crowd, and the lighting changes between blue, green, red, and yellow colors. "Promiscuous" premiered on MTV's Total Request Live on May 3, 2006, where it reached number one after spending twenty-one days on the countdown. After its debut on MuchMusic's Countdown, it ascended to number one for the week of July 28, 2006. At the 2006 MTV Video Music Awards, it was nominated for the Best Dance, Female and Pop Video Awards. The video was parodied by MADtv in a segment entitled "Syphilis Girl"; in the video, Furtado (Nicole Parker) is comically portrayed as having given Timbaland (Jordan Peele) the sexually transmitted disease, as well as on YouTube by the comedic group Train of Thought Sketch Comedy, where the video is parodied by troupe member Kaci and features a puppet version of Timbaland.
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Famous quotes containing the words music and/or video:
“Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.”
—George Herbert (1593–1633)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)