Production
On the audio commentary of the Hong Kong Legends (Region 2) DVD, Bey Logan reveals that Chan's last period film, Dragon Lord (1982), had under-performed at the Hong Kong box office in comparison to the previous one, The Young Master (1980). Logan identifies that a possible reason for the poor performance was the comparative lack of action. Edward Tang and the production team felt that a period film could still have success if it had sufficient action, and so researched the history of Hong Kong during the time of pirates for Project A.
Unlike other Hollywood period films that are set on an exact time and place, many Hong Kong films play fast and loose with their period in history. A prominent example by Bey Logan is set like this: the Hong Kong Marine Police is set up in 1846 by the British Colonial Government. The Hong Kong Headquarters is set up in 1884. The Kowloon Canton Railway Clock tower is set up in 1915. So in other words, this film takes place between the 19th and early 20th century. Jackie and the Golden Harvest team employ some researchers to come up with background for this story about pirates in Hong Kong and are not really concerned at all about depicting the film in the exact era. Bey Logan coined regarding historical heroes and stories like Wong Fei Hong: if you choose between the truth and the legend, you print the legend because if you pick the truth, you won't have for example, having items, vehicles and certain historical figures if you are shooting it in a time where certain things would or would not have existed, unless it's made as a documentary.
Project A marks the first time that veteran Michael Lai used orchestral music for a film score, instead of using library music, or lifting the score from other films.
In rehearsal for the clock tower fall inspired by Safety Last!, Chan took a week to build the courage to drop from such a great height. During the shooting of the bicycle chase sequence, one of the stuntmen informed Chan that E.T. the Extra-Terrestrial was playing at the local cinema. Chan halted filming to watch the bicycle chase scene in the finale of E.T., to ensure that his scene and Steven Spielberg's scene were not the same. After watching the film, Chan became more confident, realizing that the audience doesn't really care so much about such minor details, only in watching the film and having a good time.
After appearing in The Cannonball Run (1981), Chan liked the idea of including bloopers over the closing credits. Beginning with Dragon Lord, he has included outtakes over the end credits for most of the films, including Project A, he has directed and they have become something of a Chan trademark. Due to the nature of his films, Chan's outtakes are a combination of comedic moments and injuries sustained whilst he and his team perform stunts and fight sequences. These outtakes were enjoyed particularly by audiences in Japan - so much so that Japanese film companies would demand the inclusion of "NGs" ("no good" shots) in the distribution contracts for all Jackie Chan films, regardless of director.
Read more about this topic: Project A
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)