Cultural Progressivism
The foundation of the progressive tendency was rooted in the uniquely American philosophy of pragmatism, which was primarily developed by John Dewey and William James
Equally significant to progressive-era reform were the crusading journalists, known as muckrakers. These journalists publicized, to middle class readers, economic privilege, political corruption, and social injustice. Their articles appeared in McClure's Magazine and other reform periodicals. Some muckrakers focused on corporate abuses. Ida Tarbell, for instance, exposed the activities of the Standard Oil Company. In The Shame of the Cities (1904), Lincoln Steffens dissected corruption in city government. In Following the Color Line (1908), Ray Stannard Baker criticized race relations. Other muckrakers assailed the Senate, railroad companies, insurance companies, and fraud in patent medicine.
Novelists, too, criticized corporate injustices. Theodore Dreiser drew harsh portraits of a type of ruthless businessman in The Financier (1912) and The Titan (1914). In The Jungle (1906), Socialist Upton Sinclair repelled readers with descriptions of Chicago’s meatpacking plants, and his work led to support for remedial food safety legislation.
Leading intellectuals also shaped the progressive mentality. In Dynamic Sociology (1883) Lester Frank Ward laid out the philosophical foundations of the Progressive movement and attacked the laissez-faire policies advocated by Herbert Spencer and William Graham Sumner. In The Theory of the Leisure Class (1899), Thorstein Veblen attacked the “conspicuous consumption” of the wealthy. Educator John Dewey emphasized a child-centered philosophy of pedagogy, known as progressive education, which affected schoolrooms for three generations.
Read more about this topic: Progressivism In The United States
Famous quotes containing the word cultural:
“Hard times accounted in large part for the fact that the exposition was a financial disappointment in its first year, but Sally Rand and her fan dancers accomplished what applied science had failed to do, and the exposition closed in 1934 with a net profit, which was donated to participating cultural institutions, excluding Sally Rand.”
—For the State of Illinois, U.S. public relief program (1935-1943)