Professional Wrestling Match Types

Professional Wrestling Match Types

Many types of wrestling matches, sometimes called "concept" or "gimmick matches" in the jargon of the business, are performed in professional wrestling. Some of them occur relatively frequently, while others are developed so as to advance an angle, and such match types are used rarely. Because professional wrestling's existence has spanned over decades, and many things in it have been recycled (many gimmick match types are actually variations of previous gimmick matches), match types can be organized into several loose groups. The following is a list of common or otherwise notable match types.

Read more about Professional Wrestling Match Types:  Variations of Singles Matches, Champion Vs. Champion Match, Empty Arena Match, Falls Count Anywhere Match, Flag Match, Handicap Match, Iron Man Match, Lumberjack Match/Lumberjill Match, Torture Chamber Match, Hardcore Battle Royal, Strip Matches, Non-wrestling Singles Variations, Hardcore-based Variations, Stipulation-based Variations, Location-based Variations, Weapon-based Variations, Enclosure-based Variations, Container-based Variations, Series Variations

Famous quotes containing the words professional, wrestling, match and/or types:

    The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has an all too professional air.
    Mary McCarthy (1912–1989)

    There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
    Roland Barthes (1915–1980)

    The phonographs of hades in the brain
    Are tunnels that re-wind themselves, and love
    A burnt match skating in a urinal—
    Hart Crane (1899–1932)

    As for types like my own, obscurely motivated by the conviction that our existence was worthless if we didn’t make a turning point of it, we were assigned to the humanities, to poetry, philosophy, painting—the nursery games of humankind, which had to be left behind when the age of science began. The humanities would be called upon to choose a wallpaper for the crypt, as the end drew near.
    Saul Bellow (b. 1915)