Legacy
Alex Henderson, in a retrospective Allmusic review, says that the album was slicker than her R&B classics recorded with Ike & Tina, but she was still able to sing with a throaty passion to deliver her finest solo production. Stephen Holden has written in The New York Times that by using her English producers to soften her raw Southern soul style, discarding the "blaring horns, frenzied percussion and gospel calls and responses", the album became a "landmark" in the "evolution of pop-soul music".
Michael Lydon, in Robert Dimery's 1001 Albums You Must Hear Before You Die, says that the album's lyrical themes embodied her persona of a "tough, sexy woman schooled in a tough world", and that her vocal delivery overcomes the slick production, with her "indomitable soul" unifying the multiple producers.
In 1989, the album was ranked #46 on Rolling Stone magazine's list of The 100 Greatest Albums of the '80s. In 2003, the TV network VH1 named Private Dancer the 95th greatest album of all time.
Slant Magazine listed the album at #63 on its list of "Best Albums of the 1980s" saying "Both a personal liberation and sonic redemption, Private Dancer established Turner not only as a genuine diva, but a bona fide force of nature".
Read more about this topic: Private Dancer
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“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 1466–1536)