Dramatic Prakrits
Dramatic Prakrits were those that were devised specifically for use in dramas and other literature. Whenever dialogue was written in a Prakrit, the reader would also be provided with a Sanskrit translation. None of these Prakrits came into being as vernaculars, but some ended up being used as such when Sanskrit fell out of favor.
The phrase "Dramatic Prakrits" often refers to three most prominent of them: Sauraseni, Magadhi, and Maharashtri. However, there were a slew of other less commonly used Prakrits that also fall into this category. These include Pracya, Bahliki, Daksinatya, Sakari, Candali, Sabari, Abhiri, Dramili, and Odri. There was an astoundingly strict structure to the use of these different Prakrits in dramas. Characters each spoke a different Prakrit based on their role and background; for example, Dramili was the language of "forest-dwellers", Sauraseni was spoken by "the heroine and her female friends", and Avanti was spoken by "cheats and rogues".
Maharashtri, the root of modern Marathi, is a particularly interesting case. Maharashtri was often used for poetry and as such, diverged from proper Sanskrit grammar mainly to fit the language to the meter of different styles of poetry. The new grammar stuck which leads to the unique flexibility of vowels lengths, amongst other anomalies, in Marathi.
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