Prague Spring - Aftermath - Cultural Impact

Cultural Impact

The Prague Spring deepened the disillusionment of many Western leftists with Marxist-Leninist views. It contributed to the growth of Eurocommunist ideas in Western communist parties, which sought greater distance from the Soviet Union, and eventually led to the dissolution of many of these groups. A decade later, a period of Chinese political liberalization became known as the Beijing Spring. It also partly influenced the Croatian Spring in Yugoslavia. In a 1993 Czech survey, 60% of those surveyed had a personal memory linked to the Prague Spring while another 30% were familiar with the events in another form. The demonstrations and regime changes taking place in North Africa and the Middle East from December 2010 have frequently been referred to as an "Arab Spring".

The event has been referenced in popular music, including the music of Karel Kryl, Luboš Fišer's Requiem, and Karel Husa's Music for Prague 1968. The Israeli song "Prague", written by Shalom Hanoch and performed by Arik Einstein at the Israel Song Festival of 1969, was a lamentation on the fate of the city after the Soviet invasion and mentions Jan Palach's Self-immolation. "They Can't Stop The Spring", a song by Irish journalist and songwriter John Waters, represented Ireland in the Eurovision Song Contest in 2007. Waters has described it as "a kind of Celtic celebration of the Eastern European revolutions and their eventual outcome", quoting Dubček's alleged comment: "They may crush the flowers, but they can't stop the Spring."

The Prague Spring is featured in several works of literature. Milan Kundera set his novel The Unbearable Lightness of Being during the Prague Spring. It follows the repercussions of increased Soviet presence and the dictatorial police control of the population. A film version was released in 1988. The Liberators, by Viktor Suvorov, is an eyewitness description of the 1968 invasion of Czechoslovakia, from the point of view of a Soviet tank commander. Rock 'n' Roll, a play by award-winning playwright Tom Stoppard, references the Prague Spring, as well as the 1989 Velvet Revolution. Heda Margolius Kovály also ends her memoir Under a Cruel Star with a first hand account of the Prague Spring and the subsequent invasion, and her reflections upon these events.

In film there has been an adaptation of The Unbearable Lightness of Being, and also the movie Pelíšky from director Jan Hřebejk and screenwriter Petr Jarchovský, which depicts the events of the Prague Spring and ends with the invasion by the Soviet Union and their allies. The Czech musical film, Rebelové from Filip Renč, also depicts the events, the invasion and subsequent wave of emigration.

The number 68 has become iconic in the former Czechoslovakia. Hockey player Jaromír Jágr, whose grandfather died in prison during the rebellion, wears the number because of the importance of the year in Czechoslovak history. A former publishing house based in Toronto, 68 Publishers, that published books by exiled Czech and Slovak authors, took its name from the event.

Read more about this topic:  Prague Spring, Aftermath

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