Portraits By Vincent Van Gogh
Vincent van Gogh lived during the Impressionists’ era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms. Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting. Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects. Van Gogh’s portraiture focuses on color and brushstrokes to demonstrate their inner qualities and van Gogh’s own relationship with them.
Portraits painted by Vincent van Gogh throughout his career from 1881 through 1890.
Read more about Portraits By Vincent Van Gogh: Portraits of Vincent Van Gogh By Other Artists, The Netherlands & Brussels 1881-1886, Arles 1888-1889
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“An artist needn’t be a clergyman or a churchwarden, but he certainly must have a warm heart for his fellow men.”
—Vincent Van Gogh (1853–1890)
“When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.”
—D.H. (David Herbert)
“There are portraits and still-lifes
And the first, because ‘human’
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—Charles Tomlinson (b. 1927)
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“It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after van Gogh’s stay upon earth, maintain the same gravitation.”
—Antonin Artaud (1896–1948)