The Portland Vase is a Roman cameo glass vase, currently dated to between AD 5 and AD 25, which served as an inspiration to many glass and porcelain makers from about the beginning of the 18th century onwards. Since 1810 the vase has been kept almost continuously in the British Museum in London. It was bought by the museum in 1945 (reference - GR 1945,0927.1) ; on display in Room 70, Rome: City & Empire).
The vase is about 25 centimeters high and 56 in circumference. It is made of violet-blue glass, and surrounded with a single continuous white glass cameo depicting seven figures (humans and gods).
On the bottom was a cameo glass disc, also in blue and white, showing a head, presumed to be of Paris or Priam on the basis of the Phrygian cap it wears. This roundel clearly does not belong to the vase, and has been displayed separately since 1845. It may have been added to mend a break in antiquity or after, or the result of a conversion from an original amphora form (paralleled by a similar blue-glass cameo vessel from Pompeii) - it was definitely attached to the bottom from at least 1826.
Read more about Portland Vase: Iconography
Famous quotes containing the words portland and/or vase:
“It is said that a carpenter building a summer hotel here ... declared that one very clear day he picked out a ship coming into Portland Harbor and could distinctly see that its cargo was West Indian rum. A county historian avers that it was probably an optical delusion, the result of looking so often through a glass in common use in those days.”
—For the State of New Hampshire, U.S. public relief program (1935-1943)
“Kitsch is the daily art of our time, as the vase or the hymn was for earlier generations. For the sensibility it has that arbitrariness and importance which works take on when they are no longer noticeable elements of the environment. In America kitsch is Nature. The Rocky Mountains have resembled fake art for a century.”
—Harold Rosenberg (1906–1978)