Principal Roles and Notable Performers
| Character | Description | Notable stage performers in major market productions |
|---|---|---|
| Curly McLain | A cowboy in love with Laurey | Alfred Drake°, Harry Stockwell, Howard Keel, Hugh Jackman, Patrick Wilson, Laurence Guittard, Lance Smith |
| Laurey Williams | Aunt Eller's niece, an independent young woman | Joan Roberts°, Betty Jane Watson, Christine Andreas, Leila Benn Harris, Josefina Gabrielle, Florence Henderson, Lucy Durack |
| Jud Fry | A hired hand on Aunt Eller's ranch, a mysterious and dangerous loner | Howard Da Silva°, Shuler Hensley, Alfred Molina |
| Aunt Eller | Laurey's aunt, a respected community leader | Betty Garde°, Mary Wickes, Andrea Martin, Patty Duke, Margaret Hamilton, Maureen Lipman, Louise Plowright |
| Ado Annie Carnes | A flirtatious, gullible young woman | Celeste Holm°, Shelley Winters, Barbara Cook, Christine Ebersole, Jessica Boevers, Amanda Harrison |
| Will Parker | A simple young man in love with Ado Annie | Lee Dixon°, Harry Groener |
| Andrew Carnes | Ado Annie's father, eager to have her marry | Ralph Riggs° |
| Ali Hakim | A Persian peddler, enamored of Ado Annie | Joseph Buloff°, Eddie Albert, Peter Polycarpou, Bruce Adler, Jamie Farr, Aasif Mandvi |
| Gertie Cummings | A local farm girl, fond of Curly, marries Ali Hakim | Jane Lawrence°, Pamela Britton |
° denotes original Broadway cast
Read more about this topic: Pore Jud Is Daid
Famous quotes containing the words principal, roles, notable and/or performers:
“For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.”
—Joyce Cary (1888–1957)
“It was always the work that was the gyroscope in my life. I don’t know who could have lived with me. As an architect you’re absolutely devoured. A woman’s cast in a lot of roles and a man isn’t. I couldn’t be an architect and be a wife and mother.”
—Eleanore Kendall Pettersen (b. 1916)
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when it’s more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (1894–1963)
“... we performers are monsters. We are a totally different, far-out race of people. I totally and completely admit, with no qualms at all, my egomania, my selfishness, coupled with a really magnificent voice.”
—Leontyne Price (b. 1927)