History
Poole Pottery was originally "Carter's Industrial Tile Manufactory" and it was this company that provided the financial foundation for the later "Poole Pottery". Carter (Jesse) joined forces in the 1920s with designers Harold Stabler and Phoebie Stabler, and potters John Adams and Truda Adams (Truda Carter) to form "Carter Stabler Adams", who produced Art Deco pottery.
The Carter company produced much of the ceramic tiling used on London Underground stations built in the 1930s and, of particular note, made the relief tiles, designed by Stabler, showing symbols of London–some of these can still be seen on stations such as Bethnal Green.
"Carter Stabler Adams" eventually became "Poole Pottery", and during and after World War II produced many lines, including Twintone and Traditional. Much of the traditional range was based on the work of the chief designer in the 1920s, Truda Carter; her original designs were interpreted by "paintresses" who added their own individuality to the pieces, all of which were hand made.
Robert Jefferson joined in the 1950s, and alongside such artisans as Leslie Elsden (designer of the "Aegean" Range), Guy Sydenham, thrower and designer of the "Atlantis" range, Tony Morris, developer of the early "Delphis" Studio wares with Jefferson, and paintresses such as Carol Cutler, Diana Davies, Ros Sommerfeld, Ann Godfrey and others, including the three Wills sisters, Laura, Julia and Carolyn, produced two lines which are probably the most famous of all Poole's output: Delphis and Aegean.
Delphis is easily recognised: it is psychedelic, with vibrant colours and designs inspired by artists such as Mondrian, Warhol, Matisse and Pollock. Aegean is more subtle, with the sgraffito technique used to create the "silhouette" patterns that make this range so recognisable.
A new company trading as Poole Pottery was later formed and produced many of the old designs and styles of the original pottery.
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