Composition
"Pon de Replay" is a dance-pop and R&B song, which infuses a reggae style. According to the digital music sheet published at musicnotes.com, the song is written in the key of F-sharp minor and is set in common time with a moderated dance groove, with a metronome of 100 beats per minute. Rihanna's vocal range in the song spans from the low note of F♯3 to the high note of C♯5. Lyrically, the song is about asking the DJ to play the protagonist's favorite song, as well as the fulfillment of dancing in a club. Doug Rule of Metro Weekly commented on the lyric "Hey Mr. DJ, won't you turn the music up?" and that it follows in the footsteps of recent songs which also incorporated "Hey Mr. DJ", including Madonna's "Music" and Jennifer Lopez's "Play".
In an interview with Kidzworld, Rihanna explained the lyrical content of the song, saying: "It's just language that we speak in Barbados. It's broken English. Pon is on, de means the, so it's just basically telling the DJ to put my song on the replay." Jason Birchmeier of Allmusic wrote about the songs composition and musical influences, " is driven by booming dancehall-lite beats and a reggae vocal cadence (and title spelling), it's a simple dance-pop song at its core, with standard English-language singing as well as a can't-miss singalong hook." Barry Walters of Rolling Stone also commented on the song's composition and concurred with Birchmeier's opinions of the song, writing that the song is "a poppy piece of dancehall reggae with slapping, syncopated beats recalling big-band jazz".
Read more about this topic: Pon De Replay
Famous quotes containing the word composition:
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)