Polish Folk Music - 17th and 18th Centuries

17th and 18th Centuries

In the last years of the 16th century and the first part of the 17th century, a number of Italian musicians were guests at the royal courts of Sigismund III Vasa and Władysław IV. These included Luca Marenzio, Giovanni Francesco Anerio, and Marco Scacchi. Polish composers from this period focused on baroque religious music, concertos for voices, instruments, and basso continuo, a tradition that continued into the 18th century. The best-remembered composer of this period is Adam Jarzębski, known for his instrumental works such as Chromatica, Tamburetta, Sentinella, Bentrovata, and Nova Casa. Other composers include Grzegorz Gerwazy Gorczycki, Franciszek Lilius, Bartłomiej Pękiel, Stanisław Sylwester Szarzyński and Marcin Mielczewski.

In addition, a tradition of operatic production began in Warsaw in 1628, with a performance of Galatea (composer uncertain), the first Italian opera produced outside Italy. Shortly after this performance, the court produced Francesca Caccini's opera La liberazione di Ruggiero dall'isola d’Alcina, which she had written for Prince Władysław three years earlier when he was in Italy. Another first, this is the earliest surviving opera written by a woman. When Władysław was king (as Władysław IV) he oversaw the production of at least ten operas during the late 1630s and 1640s, making Warsaw a center of the art. The composers of these operas are not known: they may have been Poles working under Marco Scacchi in the royal chapel, or they may have been among the Italians imported by Władysław.

The late 17th and 18th century saw a decline of Poland, which also hindered the development of music. Some composers attempted to create a Polish opera (such as Jan Stefani and Maciej Kamieński), others imitated foreign composers such as Haydn and Mozart.

The most important development in this time, however, was the polonaise, perhaps the first distinctively Polish art music. Polonaises for piano were and remain popular, such as those by Michał Kleofas Ogiński, Karol Kurpiński, Juliusz Zarębski, Henryk Wieniawski, Mieczysław Karłowicz, Józef Elsner, and, most famously, Fryderyk Chopin. Chopin remains very well known, and is regarded for composing a wide variety of works, including mazurkas, nocturnes, waltzes and concertos, and using traditional Polish elements in his pieces. The same period saw Stanisław Moniuszko, the leading individual in the successful development of Polish opera, still renowned for operas like Halka and The Haunted Manor.

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