The Form
Baum's Policeman Bluejay partakes of a deep tradition in literature and storytelling, folklore and myth, which employs the animal world, especially birds and bees, as metaphor for the human condition. Chaucer's The Parliament of Fowls is probably the best-known work in this vein, though various others can be cited, most commonly involving birds, and in Indian, Persian, and Arabic literature as well as Western. The trope re-appears in twentieth-century poetry, and in the early twenty-first it is still used to reach and teach young children.
In regard to bees, John Day's play The Parliament of Bees is arguably the most famous of a number of related works. (One major distinction applies: writers like Chaucer and Day were primarily interested in commenting on human society, and used their animal metaphors as means to that end. In Baum's book, the animals and their welfare are the central consideration.)
More generally, talking animals and human/animal transformation are virtually universal in world folklore. Baum's animal fable participates in this ancient tradition.
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Famous quotes containing the word form:
“I never see that man without feeling that he is one to become personally attachd to, for his combination of purest, heartiest tenderness, and native western form of manliness.”
—Walt Whitman (18191892)
“Touch me not.”
—Bible: New Testament Jesus, in John, 20:17.
Spoken to Mary Magdalene, after Jesus has risen from the dead and made himself known to her. The words are best known in the Latin form in which they appear in the Vulgate: Noli me tangere.