Plot
Captain Harris finally finds the goods he needs to push Commandant Eric Lassard out at the Police Academy: he is one year late for mandatory retirement. But before he retires, Lassard is chosen as "Police Officer of the Decade", and brings his favorite graduates—Sgts. Hightower, Jones, Tackleberry and Hooks, Lt. Callahan, and new graduate Officer Thomas "House" Conklin—to the National Police Chiefs Convention in Miami Beach to celebrate with him. While there, they meet his nephew, Sgt. Nick Lassard of the Miami Police Department. The fun is complicated when he unwittingly takes a bag belonging to jewel thieves containing stolen merchandise.
As the jewel thieves try to get the bag back, and Captain Harris tries to prove to Commissioner Hurst that he's the right man to replace Commandant Lassard, the usual hijinks ensue, including Lassard trying to guess the annual procedural demonstration. When the jewel thieves kidnap Commandant Lassard, he goes willingly, thinking it is indeed the procedural demonstration. It launches a negotiation, which Captain Harris botches, getting himself captured as well. A chase across the Everglades ensues to rescue the oblivious Commandant. At a ceremony at the end of the film, Commissioner Hurst announces that Commadant Lassard will be allowed to continue his duties as Commadant until he sees fit to retire himself, much to Harris' chagrin.
Read more about this topic: Police Academy 5: Assignment Miami Beach
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)