Colonial Players
The Colonial Players are an extra curricular theatre program founded in 1977 that strives to produce professional-quality musicals and plays. They serve primarily to enhance live theatre performances in the local community and to give students an opportunity to express themselves. The musical productions earn critic acclaim by the Greater Philadelphia Cappies, a high school theatre awards program, and took home their first Cappie award in 2006 in Props and Effects for the design of an oversized piano in Big, The Musical. In 2009, the Colonial Players earned 13 Cappie nominations for their production of Little Shop of Horrors, "Best Show" being among them. The Colonial Players' production of Romeo and Juliet and How to Succeed in Business Without Really Trying, which was nominated for 16 Cappie Awards, the most of any school participating in the Greater Philadelphia Cappies. In the 2012-2013 season, the Colonial Players put on Father of the Bride and Guys and Dolls, which was well revered by the high school Cappie reviewers.
Read more about this topic: Plymouth-Whitemarsh High School
Famous quotes containing the words colonial and/or players:
“In colonial America, the father was the primary parent. . . . Over the past two hundred years, each generation of fathers has had less authority than the last. . . . Masculinity ceased to be defined in terms of domestic involvement, skills at fathering and husbanding, but began to be defined in terms of making money. Men had to leave home to work. They stopped doing all the things they used to do.”
—Frank Pittman (20th century)
“People stress the violence. That’s the smallest part of it. Football is brutal only from a distance. In the middle of it there’s a calm, a tranquility. The players accept pain. There’s a sense of order even at the end of a running play with bodies stewn everywhere. When the systems interlock, there’s a satisfaction to the game that can’t be duplicated. There’s a harmony.”
—Don Delillo (b. 1926)