Players' Theatre - Theatre in World War II

Theatre in World War II

The outbreak of the Second World War in 1939 inevitably caused serious problems. The Players' premises, on the top floor of an old building with a glass roof and a hydraulic lift, were not an ideal venue during an air-raid. Eventually, after two short-term arrangements (including a number of performances in a member's drawing-room in St. John's Wood), the Players' found a refuge in Albemarle Street in the former El Morocco nightclub. This was in a basement in one of the few concrete buildings in London. Thanks to this good fortune, the Players' (along with The Windmill) 'never closed' throughout the War.

Leonard Sachs was called up for military service and (riding in a taxi to Waterloo to join his troop train) he made over the Players' Theatre Club to Jean Anderson, already an established actress and Players' artiste. Jean contrived to keep the Club open and solvent for the next five years, before going on to a very distinguished career both on stage and on television in series such as 'Tenko' and 'The Brothers'. Under her management, the Players' became a haven for Londoners suffering the Blitz, as well as a home from home for many of the allied forces also living in London.

Americans, Australians, Canadians, Czechs, Danes, Dutch, the Free French, Indians, New Zealanders, Norwegians, Poles, Rhodesians, South Africans — all were to be found among the Players' audience. Indeed, to this day, every Players' audience usually contains a number of 'visitors from abroad' who are duly greeted and teased. In addition, nearly every Sunday saw a contingent of Players' artistes entertain in hospitals, at gun-sites and searchlight emplacements. James Robertson Justice made his debut as Chairman and launched his film career at this time.

Read more about this topic:  Players' Theatre

Famous quotes containing the words theatre, world and/or war:

    People fall out of windows, trees tumble down,
    Summer is changed to winter, the young grow old
    The air is full of children, statues, roofs
    And snow. The theatre is spinning round,
    Colliding with deaf-mute churches and optical trains.
    The most massive sopranos are singing songs of scales.
    Wallace Stevens (1879–1955)

    Some say the world will end in fire,
    Some say in ice.
    From what I’ve tasted of desire
    I hold with those who favor fire.
    But if it had to perish twice,
    I think I know enough of hate
    To say that for destruction ice
    Is also great
    And would suffice.
    Robert Frost (1874–1963)

    Bernstein: “Girls delightful in Cuba stop. Could send you prose poems about scenery but don’t feel right spending your money stop. There is no war in Cuba. Signed Wheeler.” Any answer?
    Charles Foster Kane: Yes—Dear Wheeler, You provide the prose poems, I’ll provide the war.
    Orson Welles (1915–1985)