History
The strand was a successor to The Wednesday Play, the 1960s anthology series, the title being changed when the day of transmission became variable. Popular works screened in anthology series on BBC2, like Willy Russell's Our Day Out (1977), were repeated on BBC1 in the series. The producers of The Wednesday Play, Graeme MacDonald and Irene Shubik, transferred to the new series. Shubik continued with the series until 1973 while MacDonald remained with the series until 1977 when he was promoted. Later producers included Margaret Matheson and Richard Eyre (1978-80).
Plays covered all genres. In its time, Play for Today featured contemporary social realist dramas, historical pieces, fantasies, biopics and occasionally science-fiction (The Flipside of Dominick Hide, 1980). Most pieces were written directly for television, but there were also occasional adaptations from other narrative forms, such as novels and stage plays.
Writers who contributed plays to the series included John Osborne, Dennis Potter, Stephen Poliakoff, David Hare, Willy Russell, Alan Bleasdale, Arthur Hopcraft, Alan Plater, Graham Reid, David Storey, Andrew Davies, Rhys Adrian and John Hopkins. Several prominent directors also featured, including Stephen Frears, Alan Clarke, Michael Apted, Mike Newell, Roland Joffe, Ken Loach, Lindsay Anderson, and Mike Leigh. Some of the best remembered plays broadcast in the strand include Edna, the Inebriate Woman (1971), The Foxtrot (1971), Home (1972), Bar Mitzvah Boy (1976), Abigail's Party (1977), Blue Remembered Hills (1979) and Just a Boys' Game (1979). Certain other well known plays, including Penda's Fen (1974), Nuts in May (1976), were commissioned by David Rose of the BBC's English Regions Drama department based in Birmingham.
Some installments in the series were spun off into full-blown series. Probably the two best-remembered examples of this are Rumpole of the Bailey, which was produced as a one-off in the Play for Today strand in 1975 and three years later became a series for Thames Television, again with Leo McKern, and Gangsters, and a single series of science fiction-based plays styled as Play for Tomorrow.
There were also some groups of plays transmitted that — for various reasons — did not go out under the Play for Today banner, but which were funded from the same department, used much the same production team and are generally regarded in episode guides and analysis as being part of the Play for Today 'canon'.
Read more about this topic: Play For Today
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