Criticism
One criticism of pitch correction is that it allows recording engineers to create a perfectly in-tune performance from a vocalist who is otherwise not skilled enough to give one, adding a degree of dishonesty to music. This concept was featured in a 2001 episode of The Simpsons, entitled "New Kids on the Blecch". In the episode, a cartoon representation of a pitch corrector (labeled "Studio Magic") was used to make up for the total lack of singing talent in a manufactured boy band, of which Bart Simpson was a member.
In 2003, Allison Moorer began attaching stickers to her 2002 album Miss Fortune reading "Absolutely no vocal tuning or pitch-correction was used in the making of this record."
A Chicago Tribune report from 2003 stated that "many successful mainstream artists in most genres of music—perhaps a majority of artists—are using pitch correction". Timothy Powell, a producer/engineer, stated in 2003 that he is "even starting to see vocal tuning devices show up in concert settings"; he states that "That's more of an ethical dilemma—people pay a premium dollar to see artists and artists want people to see them at their best."
Read more about this topic: Pitch Correction
Famous quotes containing the word criticism:
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)