Emergence of The John Mayer Trio
Palladino met Steve Jordan in the mid-1980s while both were working as session players on many occasions, which blossomed into a friendship. Jordan credits Palladino's apparent ability to "feel" changes in music, through melodies, basslines, and an embrace of genres of nearly every kind. According to Jordan, he'd planned to meet up with John Mayer and Willie Weeks in January, 2005 to perform a benefit concert on a NBC sponsored telethon Tsunami Aid: A Concert of Hope to raise funds and public awareness benefiting victims in the aftermath of the tsunami that struck southeast Asia. Weeks was unable to make the performance, and Jordan suggested Palladino, who had heard some of Mayer's work, and was willing to come. Beginning a set that included the Jimi Hendrix classic, "Bold as Love", the three found a chemistry together and set about their schedules to record a CD and a tour as a power trio. They released the album Try!, on 22 November 2005. The eleven-track live album includes cover songs, such as Jimi Hendrix's "Wait Until Tomorrow" and "I Got A Woman" by Ray Charles, two songs from Mayer's release Heavier Things, as well as new songs written by Mayer. In addition, Mayer, Palladino, and Jordan are credited as songwriters on three songs on the album: "Good Love Is On The Way", "Vultures", and "Try!". Along with John Mayer on guitar and vocals, and Steve Jordan on drums, Palladino rounded out the outfit, touring and recording as the bass guitarist of the John Mayer Trio, and on Mayer's third album Continuum.
Read more about this topic: Pino Palladino
Famous quotes containing the words emergence of, emergence, john and/or mayer:
“The failures of the press have contributed immensely to the emergence of a talk-show nation, in which public discourse is reduced to ranting and raving and posturing. We now have a mainstream press whose news agenda is increasingly influenced by this netherworld.”
—Carl Bernstein (b. 1944)
“Much more frequent in Hollywood than the emergence of Cinderella is her sudden vanishing. At our party, even in those glowing days, the clock was always striking twelve for someone at the height of greatness; and there was never a prince to fetch her back to the happy scene.”
—Ben Hecht (1893–1964)
“I have a Vision of the Future, chum.
The workers’ flats in fields of soya beans
Tower up like silver pencils, score on score.”
—Sir John Betjeman (1906–1984)
“I had a long day’s work, starting at eight in the morning and ending after nine at night, but in those days [we] ... did not think of our day in terms of hours. We liked our work, we were proud to do it well, and I am afraid that we were very, very happy.”
—Louie Mayer (b. c. 1914)