Music
Music for Pinball Number Count was composed by Walt Kraemer and arranged by Ed Bogas. The vocals were provided by the Pointer Sisters. The arrangements in the eleven films reflect musical idioms commonly found in 1970s urban culture, predominantly funk and jazz, though other styles including Caribbean steel drum music are also represented. The number-specific middle sections contain one of three different (presumably) improvised instrumental solos over a basic progression, respectively featuring soprano saxophone, electric guitar, and steel drum. Consistent with an abbreviated jazz structure, a prearranged head and turnaround / coda are played during the common starting and ending animation sequences. The vocals work in similar fashion with improvised shouts of the numbers 2-12 during the middle section and a return to the arranged counting at the end.
The song displays rare time signatures: "he first two measures of this are in a slowed-down 7/8 time signature... ubsequent time signatures include 11/8 and 3/8."
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“All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.”
—Jean Cocteau (1889–1963)
“There is a pleasure in the pathless woods,
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There is society where none intrudes
By the deep sea, and music in its roar:
I love not man the less, but nature more,”
—George Gordon Noel Byron (1788–1824)
“Truly fertile Music, the only kind that will move us, that we shall truly appreciate, will be a Music conducive to Dream, which banishes all reason and analysis. One must not wish first to understand and then to feel. Art does not tolerate Reason.”
—Albert Camus (1913–1960)