Pierson's Puppeteers - Biology and Sociology

Biology and Sociology

Pierson's Puppeteers are described by Niven as having two forelegs and a single hindleg ending in hoofed feet and two snake-like heads instead of a humanoid upper body. The heads are very small, containing a forked tongue, extensive rubbery lips, rimmed with finger-like knobs, and a single eye per head. The Puppeteer brain is housed not in the heads, but in the "thoracic" cavity well protected beneath the mane-covered hump from which the heads emerge. They use the "mouths" to manipulate objects, as a humanoid uses hands. The Puppeteer's native language sounds like highly complex orchestral music, but they seem to be able to reproduce human language without difficulty or device, as well as the Heroes' Tongue (Kzinti), suggesting their vocal arrangement may resemble a pair of avian-like syrinx rather than vocal cords. The sobriquet "Pierson's" comes from the name of the human who made first contact in the early 26th century in the Known Space timeline. According to the Niven story The Soft Weapon, Pierson was a crewman aboard a spaceship at a time when there was a camp revival of the ancient Time for Beany TV show featuring Cecil the Sea-Sick Sea Serpent, an animated character based on a hand puppet; Pierson accordingly described the alien he had met as a Puppeteer, given some resemblance of the head and neck with Cecil. Puppeteers dealing with humans usually give themselves the names of centaurs and other figures in Greek mythology, such as Nessus, Nike and Chiron.

Biologically, Puppeteers are highly intelligent herbivores; a herd animal, Puppeteers prefer the company (and smell) of their own kind. Their cycle of reproduction is similar to that of Earth's digger wasps: the Puppeteers consider themselves to have three genders (two male, one female): the two "male" genders are the equivalent of human female and male (one has an ovipositor, the other produces sperm) and the "female" is a (non-sentient) parasitized host into which the ovum and spermatozoon are deposited.

Puppeteers are very long-lived. The exact length of a Puppeteer's lifespan is unknown, but it is at least several centuries—Nessus is over 300 years old during the events of the original Ringworld novel. This, together with a total lack of contraceptives (except major surgery) for their species, is responsible for extreme crowding: the Puppeteer homeworld has a population of over a trillion, and four farming worlds are dedicated entirely to supplying the population with food.

Technologically, the Puppeteers are very advanced, centuries or millennia ahead of most other species (including humans). For example, humans in Niven's universe invented a method of cheap teleportation in the twenty-fifth century called a transfer booth, which requires an enclosed space at either end of the transmission. Puppeteers use a much more elegant and sophisticated booth-less "open" version in the form of stepping disks, which require no enclosure. They transformed their home world, and several other astronomical bodies, into a Klemperer rosette, in order to flee a galactic catastrophe.

Socially, two notable traits of Puppeteers are their racial/cultural penchant for cowardice and their tendency to congregate in herds. The cowardice is thought in Puppeteer society to originate with the Puppeteer instinct for turning one's back on danger. However, the trait is thought by many to actually originate from their herd instinct, as the instinct to turn one's back is linked to an instinct to kick the hind hoof at an attacker. In Ringworld, when Nessus and the expeditionaries are threatened, the Puppeteer defends himself quite effectively:

All in one motion, the puppeteer had spun on his forelegs and lashed out with his single hind leg. His heads were turned backwards and spread wide, Louis remembered, to triangulate on his target. Nessus had accurately kicked a man's heart out through his splintered spine. (Ringworld, Chapter 13, published 1970.)

Another behavioral trait is the coma state, broadly a cognate of the human fetal position–in the same way that ostriches are said to bury their heads in the sand, Puppeteers fold up into a ball, tucking their three legs and two heads underneath the padded cranial bulge. This is, in part, an explosion reflex, learned during childhood. Their cowardice is also reflected in their architecture and object design, as all the Puppeteer-designed rooms and vessels have no sharp edges, everything curves into everything else, giving a "half-melted" look and meaning that objects are less likely to damage someone inadvertently, through their own carelessness.

In Ringworld, Nessus, a Puppeteer, explains how his race's cowardice is partly a result of a science experiment (the details of which are not given) that proves the Puppeteers have nothing equivalent to an immortal soul, and therefore death is, for their species, absolute and eternal. As a result, the Puppeteer race is fanatically devoted to its own safety.

A courageous Puppeteer is regarded as insane by his species, and actually shows symptoms associated with human mental illness, such as bipolar disorder, homicidal tendencies, clinical depression and so on. However, aside from the crews of the Long Shot (in the novel Ringworld) and Explorer (in the novel Fleet of Worlds), no human has ever met a completely sane Puppeteer, as no sane Puppeteer would ever leave the safety of the Fleet of Worlds (see below).

On occasion a Puppeteer will express its amusement by facing its two heads towards each other, in effect, looking at itself. This is described by Niven to be the closest to laughter a Puppeteer comes.