Pierre-Auguste Renoir - Selected Works

Selected Works

  • Mademoiselle Romaine Lacaux (1864), Cleveland Museum of Art
  • Lise with a parasol (1867)
  • The Bohemian (1868)
  • La Promenade (1870)
  • Monet Painting in His Garden at Argenteuil (1873)
  • La Loge (1874)
  • The Dancer (1874)
  • Woman with Fan (1875)
  • The Swing (1876)
  • Lunch at the Restaurant Fournaise (The Rowers' Lunch) (French: Déjeuner au Restaurant Fournaise (Déjeuner des Rameurs)) (1875)
  • Girl with a Watering Can (1876)
  • Bal du moulin de la Galette (1876)
  • Nude in the Sunlight (1876)
  • At the Theatre (La Première Sortie) (1877)
  • Madame Charpentier and Her Children (1878)
  • Jeanne Samary (fr) (1879)
  • Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg) (1879)
  • Two Women with Umbrellas (1879)
  • On the Terrace (1881)
  • Luncheon of the Boating Party (1881)
  • The Piazza San Marco, Venice (1881)
  • Blonde Bather (1881)
  • Alice and Elisabeth Cahen d'Anvers (Pink and Blue) (1881)
  • The Umbrellas (1881, 1885)
  • By the Seashore (1883)
  • Dance at Bougival (1883)
  • Fog at Guernsey (1883)
  • Dance in the City (1883)
  • Children on the Sea Shore in Guernsey (1883)
  • The Bay of Moulin Huet Seen Through the Trees (1883)
  • Girl with a Hoop (1885)
  • Bathers (1887)
  • Les filles de Catulle Mendès (1888)
  • The Bather (After the Bath) (1888)
  • Young Girl with Daisies (1889)
  • In the Meadow (1890)
  • The Apple Seller (1890), Cleveland Museum of Art
  • Roses in a Vase (1890), Cleveland Museum of Art
  • Two Girls at the Piano (1892)
  • Vase of Chrysanthemums (1895)
  • Bathers Playing with a Crab (1897), Cleveland Museum of Art
  • Young Woman Arranging Her Earring, Cleveland Museum of Art
  • Coco (1905)
  • Standing Bather (1906)
  • Nude (1910)
  • The Farm at Les Collettes, Cagnes (1908–1914)
  • The Concert (1918)
  • Madeleine Leaning on Her Elbow with Flowers in Her Hair (1918) stolen during an armed robbery on September 8, 2011 from a home in Houston, Texas

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    “The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.”
    —Robert Frost (1874–1963)

    “They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
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