Pierre-Auguste Renoir - Gallery

Gallery

  • Lise Sewing, 1866, Dallas Museum of Art

  • La Grenouillère, 1868, National Museum, Stockholm, Sweden

  • Portrait of Alfred Sisley, 1868

  • Claude Monet Painting in His Garden at Argenteuil, 1873, Wadsworth Atheneum, Hartford, Connecticut

  • Portrait of Claude Monet, 1875, Musée d'Orsay, Paris, France

  • Jeanne Durand-Ruel, 1876, Barnes Foundation Merion, Pennsylvania

  • A Girl with a Watering Can, 1876, National Gallery of Art, Washington, D.C.

  • Mme. Charpentier and her children, 1878, Metropolitan Museum of Art, New York

  • By the Water, 1880, Art Institute of Chicago, Chicago, Illinois

  • Luncheon of the Boating Party, 1880–1881, The Phillips Collection, Washington, D.C.

  • Portrait of Charles and Georges Durand-Ruel, 1882

  • Dance at Bougival, 1882–1883, (woman at left is painter Suzanne Valadon), Boston Museum of Fine Arts

  • Dance in the City, 1882–1883, Musée d'Orsay, Paris, France

  • Dance in the Country (Aline Charigot and Paul Lhote), 1883, Musée d'Orsay, Paris

  • Pencil study for Dance in the Country 1883, Honolulu Museum of Art

  • Children at the Beach at Guernsey, 1883, Barnes Foundation Merion, Pennsylvania

  • Pierre-Auguste Renoir, "Jeune garçon sur la plage d'Yport" (1883), Barnes Foundation Merion, Pennsylvania

  • In the Garden, 1885, Hermitage St. Petersburg

  • Girl With a Hoop, 1885, National Gallery of Art, Washington, D.C.

  • Girl Braiding Her Hair (Suzanne Valadon), 1885

  • Julie Manet with cat, 1887

  • Portrait of Berthe Morisot and daughter Julie Manet, 1894

  • Gabrielle Renard and infant son Jean Renoir, 1895

  • The Artist's Family, 1896, The Barnes Foundation, Merion, Pennsylvania

  • Graziella, 1896,The Detroit Institute of Arts

  • Portrait of Ambroise Vollard, 1908

  • Portrait of Paul Durand-Ruel, 1910

  • Portrait of Ambroise Vollard, 1917

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Famous quotes containing the word gallery:

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)