Pictish Art - Society

Society

The archaeological record provides evidence of the material culture of the Picts. It tells of a society not readily distinguishable from its similar Gaelic and British neighbours, nor very different from the Anglo-Saxons to the south. Although analogy and knowledge of other Celtic societies may be a useful guide, these extended across a very large area. Relying on knowledge of pre-Roman Gaul, or 13th century Ireland, as a guide to the Picts of the 6th century may be misleading if analogy is pursued too far.

As with most peoples in the north of Europe in Late Antiquity, the Picts were farmers living in small communities. Cattle and horses were an obvious sign of wealth and prestige, sheep and pigs were kept in large numbers, and place names suggest that transhumance was common. Animals were small by later standards, although horses from Britain were imported into Ireland as breed-stock to enlarge native horses. From Irish sources it appears that the élite engaged in competitive cattle-breeding for size, and this may have been the case in Pictland also. Carvings show hunting with dogs, and also, unlike in Ireland, with falcons. Cereal crops included wheat, barley, oats and rye. Vegetables included kale, cabbage, onions and leeks, peas and beans, turnips and carrots, and some types no longer common, such as skirret. Plants such as wild garlic, nettles and watercress may have been gathered in the wild. The pastoral economy meant that hides and leather were readily available. Wool was the main source of fibres for clothing, and flax was also common, although it is not clear if they grew it for fibres, for oil, or as a foodstuff. Fish, shellfish, seals, and whales were exploited along coasts and rivers. The importance of domesticated animals argues that meat and milk products were a major part of the diet of ordinary people, while the élite would have eaten a diet rich in meat from farming and hunting.

No Pictish counterparts to the areas of denser settlement around important fortresses in Gaul and southern Britain, or any other significant urban settlements, are known. Larger, but not large, settlements existed around royal forts, such as at Burghead, or associated with religious foundations. No towns are known in Scotland until the 12th century.

The technology of everyday life is not well recorded, but archaeological evidence shows it to have been similar to that in Ireland and Anglo-Saxon England. Recently evidence has been found of watermills in Pictland. Kilns were used for drying kernels of wheat or barley, not otherwise easy in the changeable, temperate climate.

The early Picts are associated with piracy and raiding along the coasts of Roman Britain. Even in the Late Middle Ages, the line between traders and pirates was unclear, so that Pictish pirates were probably merchants on other occasions. It is generally assumed that trade collapsed with the Roman Empire, but this is to overstate the case. There is only limited evidence of long-distance trade with Pictland, but tableware and storage vessels from Gaul, probably transported up the Irish Sea, have been found. This trade may have been controlled from Dunadd in Dál Riata, where such goods appear to have been common. While long-distance travel was unusual in Pictish times, it was far from unknown as stories of missionaries, travelling clerics and exiles show.

Brochs are popularly associated with the Picts. Although these were built earlier in the Iron Age, with construction ending around 100 AD, they remained in use into and beyond the Pictish period. Crannóg, which may originate in Neolithic Scotland, may have been rebuilt, and some were still in use in the time of the Picts. The most common sort of buildings would have been roundhouses and rectangular timbered halls. While many churches were built in wood, from the early 8th century, if not earlier, some were built in stone.

The Picts are often said to have tattooed themselves, but evidence for this is limited. Naturalistic depictions of Pictish nobles, hunters and warriors, male and female, without obvious tattoos, are found on monumental stones. These stones include inscriptions in Latin and ogham script, not all of which have been deciphered. The well known Pictish symbols found on stones, and elsewhere, are obscure in meaning. A variety of esoteric explanations have been offered, but the simplest conclusion may be that these symbols represent the names of those who had raised, or are commemorated on, the stones. Pictish art can be classed as Celtic, and later as Insular. Irish poets portrayed their Pictish counterparts as very much like themselves.