History
Michel Lambot and Kenny Gates met circa September 1981 at Michel’s record store then called “Casablanca Moon”, exclusively selling records from independent labels and they quickly became friends.
In June 1982 the store “Casablanca Moon” was closed down and they made plans to start an import company named “Play It Again Sam”. Play It Again Sam started importing from the UK in October 1982 and were based in the basement of in Kenny's parents' house in Brussels, Belgium. Michel and Kenny were then respectively 21 and 19 years old.
The company was incorporated in March 1983 with a starting capital of €5000 and the strategy rapidly became to be a “distributor” rather than an importer / wholesaler; that meant offering a full range of services to labels, such as promotion and marketing.
They started up a distribution company in the UK in 1988; in the Netherlands in 1989, in France in 1994, in Germany in 1998 and in Spain in 2001. Recordings is the group's in-house recorded music division, comprising two labels, Play It Again Sam and Different Recordings, headquartered in 's UK office in Bermondsey, London.
In early 2013, acquired Cooperative Music (and the Coop-owned V2 Records label) from Universal Music Group.
Read more about this topic: PIAS Entertainment Group
Famous quotes containing the word history:
“America is the only nation in history which, miraculously, has gone directly from barbarism to degeneration without the usual interval of civilization.”
—Attributed to Georges Clemenceau (18411929)
“I believe that in the history of art and of thought there has always been at every living moment of culture a will to renewal. This is not the prerogative of the last decade only. All history is nothing but a succession of crisesMof rupture, repudiation and resistance.... When there is no crisis, there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)