Movements of The Concerto
The concerto has the following three movements:
- Allegro D major common time
- (Larghetto) A major cut time
- (Allegretto) D major 2/4
The second and third movements have their tempos given above in parentheses because in the autograph these are not given in Mozart's own handwriting but were written in by someone else. (The Neue Mozart-Ausgabe places the note "Tempobezeichnung im Autograph von fremder Hand" on both movements, though the old Breitkopf & Härtel Complete Works edition does not have any indication that the tempos are not Mozart's own.)
Read more about this topic: Piano Concerto No. 26 (Mozart)
Famous quotes containing the words movements of the, movements of and/or movements:
“Awareness of the stars and their light pervades the Koran, which reflects the brightness of the heavenly bodies in many verses. The blossoming of mathematics and astronomy was a natural consequence of this awareness. Understanding the cosmos and the movements of the stars means understanding the marvels created by Allah. There would be no persecuted Galileo in Islam, because Islam, unlike Christianity, did not force people to believe in a “fixed” heaven.”
—Fatima Mernissi, Moroccan sociologist. Islam and Democracy, ch. 9, Addison-Wesley Publishing Co. (Trans. 1992)
“Virtues are not emotions. Emotions are movements of appetite, virtues dispositions of appetite towards movement. Moreover emotions can be good or bad, reasonable or unreasonable; whereas virtues dispose us only to good. Emotions arise in the appetite and are brought into conformity with reason; virtues are effects of reason achieving themselves in reasonable movements of the appetites. Balanced emotions are virtue’s effect, not its substance.”
—Thomas Aquinas (c. 1225–1274)
“Who among us has not, in moments of ambition, dreamt of the miracle of a form of poetic prose, musical but without rhythm and rhyme, both supple and staccato enough to adapt itself to the lyrical movements of our souls, the undulating movements of our reveries, and the convulsive movements of our consciences? This obsessive ideal springs above all from frequent contact with enormous cities, from the junction of their innumerable connections.”
—Charles Baudelaire (1821–1867)