Opening Credits and Theme Song
The opening credits to Phyllis parody other TV series opening credits of the period, specifically The Mary Tyler Moore Show, by depicting the character in a variety of local settings while the theme song plays. In addition to scenes shot on location in San Francisco, various scenes from her appearances in The Mary Tyler Moore Show are shown. The theme song parodies spectacular Broadway musical numbers, such as Jerry Herman's title songs to "Hello Dolly" and "Mame." In keeping with the sour disposition of the character, the song resolves with a deprecating line in a minor key, as Phyllis—who has been smiling broadly at the foregoing flattering hyperbole—makes an ugly face at the camera:
- Lyrics:
- Who makes the fog surrounding the Golden Gate simply disappear?
- Phyllis... Phyllis...
- Who makes the warning bells on the cable cars play, "The Gang's All Here"?
- Phyllis... Phyllis...
- Who charms the crabs on Fisherman's Wharf right out of their shells?
- Who lights the lamps of Chinatown just by walking in view? Who?
- Phyllis! Phyllis! Phyllis...
- ...it sure isn't you.
Read more about this topic: Phyllis (TV series)
Famous quotes containing the words opening, theme and/or song:
“But every insight from this realm of thought is felt as initial, and promises a sequel. I do not make it; I arrive there, and behold what was there already. I make! O no! I clap my hands in infantine joy and amazement, before the first opening to me of this august magnificence, old with the love and homage of innumerable ages, young with the life of life, the sunbright Mecca of the desert.”
—Ralph Waldo Emerson (18031882)
“It seems to me that upbringings have themes. The parents set the theme, either explicitly or implicitly, and the children pick it up, sometimes accurately and sometimes not so accurately.... The theme may be Our family has a distinguished heritage that you must live up to or No matter what happens, we are fortunate to be together in this lovely corner of the earth or We have worked hard so that you can have the opportunities we didnt have.”
—Calvin Trillin (20th century)
“She sang a song that sounds like life; I mean it was sad. Délira knew no other types of songs. She didnt sing loud, and the song had no words. It was sung with closed lips and it stayed down in ones throat.... Life is what taught them, these Negresses, to sing as if they were choking back sobs. It is a song that always ends with a beginning anew because this song is the picture of misery, and tell me, does misery ever end?”
—Jacques Roumain (19071945)