Photography - Future of Film Photography

Future of Film Photography

Digital point-and-shoot cameras have become widespread consumer products, outselling film cameras, and including new features such as video and audio recording. Kodak announced in January 2004 that it would no longer sell reloadable 35 mm cameras in western Europe, Canada and the United States after the end of that year. Kodak was at that time a minor player in the reloadable film cameras market. In January 2006, Nikon followed suit and announced that they will stop the production of all but two models of their film cameras: the low-end Nikon FM10, and the high-end Nikon F6. On May 25, 2006, Canon announced they will stop developing new film SLR cameras. Though most new camera designs are now digital, a new 6x6cm/6x7cm medium format film camera was introduced in 2008 in a cooperation between Fuji and Voigtländer.

According to a survey made by Kodak in 2007 when the majority of photography was already digital, 75 percent of professional photographers say they will continue to use film, even though some embrace digital.

According to the U.S. survey results, more than two-thirds (68 percent) of professional photographers prefer the results of film to those of digital for certain applications including:

  • film’s superiority in capturing more information on medium and large format films (48 percent);
  • creating a traditional photographic look (48 percent);
  • capturing shadow and highlighting details (45 percent);
  • the wide exposure latitude of film (42 percent); and
  • archival storage (38 percent)

Read more about this topic:  Photography

Famous quotes containing the words future, film and/or photography:

    complaint of present days
    Is not the certain path to future praise.
    George Gordon Noel Byron (1788–1824)

    His education lay like a film of white oil on the black lake of his barbarian consciousness. For this reason, the things he said were hardly interesting at all. Only what he was.
    —D.H. (David Herbert)

    Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.
    Jessie Tarbox Beals (1870–1942)