Phoenix Film Critics Society Award For Best Visual Effects

The Phoenix Film Critics Society Award for Best Visual Effects is an annual award (since 2000) given by the Phoenix Film Critics Society.

Famous quotes containing the words phoenix, film, critics, society, award, visual and/or effects:

    Devouring Time, blunt thou the lion’s paws,
    And make the earth devour her own sweet brood;
    Pluck the keen teeth from the fierce tiger’s jaws,
    And burn the long-liv’d phoenix in her blood;
    Make glad and sorry seasons as thou fleet’st,
    And do what’er thou wilt, swift-footed Time,
    To the wide world and all her fading sweets;
    William Shakespeare (1564–1616)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    Some critics are like chimneysweepers; they put out the fire below, and frighten the swallows from the nests above; they scrape a long time in the chimney, cover themselves with soot, and bring nothing away but a bag of cinders, and then sing out from the top of the house, as if they had built it.
    Henry Wadsworth Longfellow (1807–1882)

    They sort of Europeanized us all. Before them, our society hadn’t been the Great Society as much as it had been the Revlon Society.
    Dustin Hoffman (b. 1937)

    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
    John Berger (b. 1926)

    Whereas Freud was for the most part concerned with the morbid effects of unconscious repression, Jung was more interested in the manifestations of unconscious expression, first in the dream and eventually in all the more orderly products of religion and art and morals.
    Lewis Mumford (1895–1990)