Portraits
In 2009 a daguerreotype portrait of Gage (see head of article) was identified—the first likeness of him identified other than a life mask taken around 1850. It shows "a disfigured yet still-handsome" Gage with one eye closed and scars clearly visible, "well dressed and confident, even proud" and holding his iron, on which portions of the inscription (recited above) can be made out. (For decades the daguerreotype's owners had imagined that it showed an injured whaler with his harpoon.) Authenticity was confirmed in several ways, including photo-overlaying the inscription visible in the portrait against that on the actual tamping iron in Harvard's Warren Anatomical Museum; and similarly, matching the injuries seen in the portrait against those preserved in the life mask.
Macmillan cites the daguerreotype as consistent with the social recovery hypothesis already described. To better understand the question, he and collaborators are actively seeking additional evidence on Gage's life and behavior, and describe certain kinds of historical material for which they hope readers will remain alert, such as letters or diaries by physicians whom their research indicates Gage may have met, or by persons in certain places Gage seems to have been.
In 2010 a second portrait of Gage (above) was identified. This new image, copies of which are in the possession of at least two different branches of the Gage family, depicts the same subject as the daguerreotype identified in 2009, according to Gage researchers consulted by the Smithsonian Institution.
Read more about this topic: Phineas Gage
Famous quotes containing the word portraits:
“The journalists have constructed for themselves a little wooden chapel, which they also call the Temple of Fame, in which they put up and take down portraits all day long and make such a hammering you can’t hear yourself speak.”
—G.C. (Georg Christoph)
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.”
—Elizabeth Barrett Browning (1806–1861)
“There are portraits and still-lifes
And the first, because ‘human’
Does not excel the second,”
—Charles Tomlinson (b. 1927)