The Novels
Van Dine's first three mystery novels were unusual for mystery fiction because he planned them as a trilogy, but plotted and wrote them in short form, more or less at the same time. After they were accepted as a group by famed editor Maxwell Perkins, Van Dine expanded them into full-length novels. All twelve book titles are in the form "The X Murder Case," where "X" is always a six-letter word (except for The Gracie Allen Murder Case, which was originally just "Gracie").
Although Van Dine was one of the most educated and cosmopolitan detective writers of his time, in his essays, he dismissed the idea of the mystery story as serious literature. He insisted that a detective novel should be mainly an intellectual puzzle that follows strict rules and does not wander too far afield from its central theme. He followed his own prescriptions, and some critics feel that formulaic approach made the Vance novels stilted and caused them to become dated in a relatively few years.
All of the cases, except The Winter Murder Case, are mostly set in the Manhattan borough of New York City. On a few occasions, Vance and Van Dine (usually accompanied by Markham and Heath) briefly travel to the Bronx, Westchester County, and New Jersey in the course of their investigations. In The Greene Murder Case Vance tells, after his arrival back in New York, that he traveled by train to New Orleans to gather information relative to the case.
Vance's last case, The Winter Murder Case, is markedly different from the previous eleven cases in that the locale is away from New York (the Berkshire Mountains of western Massachusetts) and Vance and Van Dine are surrounded by an almost completely different cast of characters (only Markham makes a brief appearance at the very beginning). Wright had just finished writing this case when he died suddenly in New York on April 11, 1939.
Read more about this topic: Philo Vance
Famous quotes containing the word novels:
“Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United Statesfirst, murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.”
—H.L. (Henry Lewis)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)