Philip Toynbee - Works

Works

  • A school in private (1941)
  • The Barricades (1943)
  • Prothalamium: A Cycle Of The Holy Graal (1947)
  • Tea with Mrs. Goodman (1947)
  • The Garden to the Sea (1953)
  • Friends Apart, A Memoir of Esmond Romilly & Jasper Ridley in the Thirties (1954) re-published in (1980)
  • The Fearful Choice: a debate on nuclear policy (1958)
  • Pantaloon or the Valediction (1961) verse novel
  • Underdogs: Anguish and Anxiety, Eighteen Men and Women Write Their Own Case-Histories (1962) editor
  • Comparing Notes: A Dialogue Across a Generation (1963) with Arnold J. Toynbee
  • Thanatos, a Modern Symposium at which Nine Characters Argue at Quarles (1963) with Maurice Richardson
  • Two Brothers: the fifth day of the Valediction of Pantaloon (1964) Pantaloon verse novel
  • A Learned City: the sixth day of the valediction of pantaloon (1966) Pantaloon verse novel
  • Views from a Lake: the seventh day of the Valediction of Pantaloon (1968) Pantaloon verse novel
  • Age of the Spirit: Religion as Experience (1973)
  • Distant Drum: Reflections on the Spanish Civil War (1976) editor
  • Part of a Journey: An Autobiographical Journal, 1977-79 (1981)
  • End of a Journey An Autobiographical Journal 1979-81 (1982)
  • Towards the Holy Spirit: A Tract for the Times (1982)

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Famous quotes containing the word works:

    One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
    Benjamin Haydon (1786–1846)

    Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.
    Rebecca West (1892–1983)

    We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.
    —D.W. (David Wark)